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Showing posts with label beer. Show all posts
Showing posts with label beer. Show all posts

Tuesday, January 11, 2011

In Defense of Hops


Recently, a friend sent me this article from the New Scientist.  My apologies that this isn't an open link, however, the registration is free and the article is fairly short if you'd like to read it.  If you'd rather not, it's called, Extreme Beer: No Accounting for Taste, and I'll summarize by giving you the tag line: "American craft beers are getting ever more bitter, expensive and undrinkable – so how do we learn to savour tastes we're hard-wired to spit out?"  The article goes on to make a few observations about the surge in craft beer popularity and then tries to suggest some possible evolutionary reasons behind our predilection for odd tastes, namely bitterness.  The article also spends some time talking about Russian River's Pliny the Younger, which needs no explanation or introduction for my audience, except to say that it seems to have reached a new level of recognition even beyond the confines of the craft beer world.

It's interesting science, although the conclusions seem to be incredibly negative, painting the motivation behind craft beer drinkers as drunken, caffeine and marijuana addicts, looking to prove our wealth, popularity, and masculinity, from an evolutionary standpoint that is.  It's a portrait that might have some truth as you gaze across American culture, but probably less so in the craft beer market as compared to the mass beer market.  



But accurate or not, something bothered me about this article as I read it.  I actually was just drinking Pliny the Elder (Younger's lesser, but much more attainable cousin) and Russian River's Temptation '08 (one of the famous sours she refers to in the article) last week at Toronado in San Francisco.  The place was packed, the beer was delicious, and it was a great time.  Surely this Thursday afternoon could be attributed to far more than the evolutionary outcomes of a bar full of people's misguided desires and addictions. 

From a beer drinker's perspective, whether a hops lover or not, I think there is a foundation in history that has informed culture and is worth mentioning.  Surely, when someone thinks of the unpalatable flavors in beer, the first flavor in question is bitterness.  And true to form, this article spends much of its time questioning (although I'm tempted to say "bemoaning") the bitterness flavor that most craft beer drinkers have become accustomed to drinking.


It's an understandable critique.  The first time I tried an extremely hoppy beer, I wasn't charmed immediately.  It took a few drinks and some exposure of the subtle flavors it contained and accompanied the bitterness, the way the alpha acids worked with the flavor of the grain and yeast to really understand how good the taste could be.  I know a number of beer snobs who think the overabundance of hops in beer is a real tragedy, and ever since hops were outlined as a required ingredient by the German Reinheitsgebot in 1516, they've been a pivotal, yet sometimes controversial part of the beer process.


Hops are a vine flower that share a lot of similarity to grapes used for making wine.  And just like grapes, they are subject to a concept called "terroir."  Terroir is the idea that the geographic climate, soil, and atmosphere impart specific characteristics to the plant.  So while Germany, the world's largest hop producer, and the US, the world's second largest hop producer, have similar conditions for growing, say a Noble hop variety, there will be subtle taste differences in the hop pertaining to the region in question.  Magnify this effect over centuries, add modern technology and a knowledge of genetic breeding in plants and we get quite a wide variety of Alpha and Super Alpha hop strains produced in the US and specific to its soil.  Names like Willamette, Chinook, Simcoe, Summit, and Cascade, just to name a few.  It doesn't take long for people to start using these hops in experimental brewing and suddenly we give birth to the distinctive flavor of the American Ale.  The American Pale, the American IPA, the American Red, and really almost every beer from the British style, all with a new bite and finish because of the hop production based locally here.


The hops arms race, started around 20 or so years ago, and saw its biggest rise in the past 10 years, as different brewers pitted against each other, trying to cram all these new super high acid hop strains into their beers.  I'm not really sure it's over, but it's a period marked by strong experimentation and individual creativity among craft beer brewers.  Now how can that be a bad thing?  In fact, I would extend that argument to say that it was this opportunity to step outside the conventional stylistic guidelines and restrictions with hops that opened up the idea of using different ingredients, experimenting with styles as a whole.


Some embrace the hop explosion and ridiculous levels of IBUs in these new beers.  Others see it as a gimmick that ruins the natural flavors of traditional beer.  Whether you're a hops fan or not, you have to admit the important role hops played in shaping the beer renaissance that followed.  That renaissance is a reflection of the real heart of American ingenuity and agriculture.  Beer, is not simply a beverage, it is a cultural reflection.  For centuries, beer has been defined by Belgian Monasteries, German Beer halls, British Pub Beers, and Czech Pilsners.  Finally, American beer has a way to separate itself from these giants with something other than mass produced flavorless lagers in cans.  Whether you like hops or not, it's important to understand that they opened the floodgates of an American revolution in beer.


So maybe the next time you pick up a pint of whatever you happen to be drinking, hoppy or not, show a little love to the bitter coned flower that helped pave the way for so many other brews.


Cheers!

Tuesday, April 6, 2010

Gentleman Scholar Brewing Espresso Stout

I opened this unknown beer with a bit of aggression to the tune of Def Leppard's Escariot, hoping to finally kick the the soar throat that's been bugging me for days.  I've never heard of Gentleman Scholar Brewing before and was even more surpised to see that their LLC is on Westwood and their brewing headquarters is in El Monte.  But I was sold on it by a great silver and black label with a skeleton in the style Tim Burton's Nightmare before Christmas.

True to it's name it smells like a coffee beans and malt, but it's not that good, deep, rich coffee smell that you get off your morning cup, nor is it the thick espresso shot served to you at Italian espresso bar.  it smells more like an oversweetened machine made cup from 7-11.  Being a heavy coffee drinker that drowns himself in dark roasted fair-trade, organic, dark roasted coffee daily, this was not the smart introduction the Scholar should be looking for.
The taste didn't stray much farther from here and was really not much more than an extension of the aromas.  The front end has too much carbonation for a stout and the small bit of coffee flavor gets almost completely dominated by the watery malts that seem only an empty shell of their former sweetness.  The back end is a rush of all these flavors with little grace or balance, leaving you with the feeling that you've just drank the coffee grinds from someone else's cup.


Perhaps this beer could have redeemed itself if it had a thicker body to carry some of the malt richness on.  For such a bold creation, 7% does seem a little low, and I wonder if increased alcohol content wouldn't have created more viscosity for the flavors to grow and the body to thicken.  Instead you're left with a beer that has little to nothing in the way of backbone, which for me – a beer lover born from stouts – makes for a sad day indeed.

Espresso Stout: *

Thursday, February 11, 2010

Warsteiner Dunkel



One of the few styles I'll venture out of my comfort zone for is a good German brew. I spent a few weeks in Munich for the World Cup in 2006, and in addition to copius amounts of bratwurst and football, I enjoyed the local flavor and culture of Bavarian beer. While most of the beers you'll find at beerhalls and beer gardens are hefeweizens, altbiers, and pilsners, I love a well crafted dunkel.

Unfortuantely, while the origin of this beer is unquestionably German, it's not one of the finer ones. A Dunkel is similar to a Hefeweizen, wheat beer, but is brewed as darker version (Dunkel means "dark") with deliciously complex malts and a low balancing bitterness. Most are brown and murky (from the yeast). The usual clove and fruity (banana) characters will be present, some may even taste like banana bread.

Mr. Warsteiner has that nose of sweetness, but dies on the back end and the body leaves for a fairly malty uninspired beer. For me it's just too bland, but is definitely a step up from Becks dark or Heineken dark. Try a Leffe Dark instead.

Dunkel: **

Wednesday, January 13, 2010

Ninkasi Oatis Oatmeal Stout


Back when I first started drinking beer, I feel like there were only a few stouts widely available. Most of the time you'd be stuck with a watery Guiness. Personally, I was privileged to have access to Shakespeare Stout, the one beer that I can credit as the catalyst for my long term love affair with beers. But of the few stouts available, Sammy Smith also had a particularly fond memory in my mind for it's quality of using oatmeal. Today, almost every brewery has their version of an oatmeal stout, and they range from excellent to atrocious. The youthful, yet eager brewery, Ninkasi, has done a very nice job with their take on it. It's a carefully calculated balance of oats, chocolate roasted malts, and bitterness, and the end result is quite enjoyable. The body is fairly light on this one, so it won't overwhelm you like it's big thick Russian Imperial cousin. 7.5% alc/vol. 45 ibus


Oatis Oatmeal Stout: ****

Tuesday, November 17, 2009

The Resistance double IPA



Having gotten a handle on my beer making skills after my last IPA, I wanted to try to make something really big. So began my Double Trouble IPA, The Resistance. I wanted to make a beer that had high alcohol content, but still really bright floral and citrusy hoppy notes. In order to achieve this I tried my first dry hop. For those unfamiliar with the process, dry hopping involves adding hops to the beer after the initial fermentation. It helps to get that fresh hop taste I was looking for.



.5 lb English Crystal 37L
.5 lb English Crystal 17L
6 lbs Pale malt extract
3 lbs Munich malt extract
1 lb Light DME
I did a 1 oz Summit addition at 60 min
1 oz Summit addition at 30
1 oz Summit addition at 20
1 oz Amarillo addition at 0


I let my primary fermentation go about a week, then my second fermentation was around 3 weeks before I started dry hopping. I used 1 oz Simcoe whole hops to dry hop. Whole hops I now know are really hard to dry hop with because both putting them in the carboy and filtering out the pieces is a problem. But live and learn. I let the beer dry hop for about 4 weeks and then finally aged in the bottle for another three weeks.



All and all, I achieved what I was going for in term of hop taste. The beer is very bright and you can really taste the dry hopping. However, I didn't get the vigorous ferment I was hoping for and alcohol content is only around 5-6%. I also feel like it could use a little more malt sweetness to round out and balance the flavor a bit.


Friday, July 3, 2009

Stone Sublimely Self-Righteous Black IPA

I was a little dubious of this beer having been relatively unimpressed by it's potency on tap at the LA CABAL craft brew fest a few months ago. Perhaps I went in with expectations too high, or I had too many beers that day to truly distinguish and savor this brew. But I walked away that day uncertain about this strange creation. So imagine my surprise when I popped the top on this beastlyness and found that Stone had knocked another wall down in the quest to reinvent beer. As you approach the body you prepare your palette for some crazy intense stout that will dominate your stomach and tastebuds. Instead, your tongue does flips when the weight of the stout is replaced by malt and the finish is replenished by fresh hop flavor. On second consideration, this beer offers a beautiful and unique hop flavor, that is half built on surprise and sustained on fresh, citrus beauty. An absolutely unique creation from the ever inventive Stone.


To be fair to the brewers, when Chris and I tried this we were about 4 deep, which explains the rather short review and drunken pictures. Writing drunk is tough!


Sublimely Self- Righteous Black IPA: ****1/2

Sunday, June 21, 2009

Green Flash Le Freak

The aroma is as advertised, west coast style hops blended with Belgian Trippel and the seam between the two is invisible to my big nose. Another addition to the popular fusion that is taking over the beer scene: IPA meets Belgian. Not being as much of a Belgian fan, I'm not as skilled at describing the flavors and knowing what I should be tasting for. However, what I will say is this: the front end has a characteristic sweetness that I've known from Trippels; that sort of pungent overripe plum. But just as the fruit begins to unleash its most pungent, viscious tannons, it evens out, and ever so slightly melds into a recognizable mix of hops and barley. The hops are bright, although subdued by the fruit immersion and subsequently the bitter kick follows similarly like a muffled instrument. Interestingly, the sweeter part of the brew has it's own kick that sort of spirals up right into the nose and back down again rather than into the throat and back up under the tongue. I have to admit when I think about the visual that description creates via "taste-o-graph," I like the balanced flow. Given my general disinterest in Belgians, this seems like a fine compromise.



Le Freak: ****